| "Nova" | |
![]() This design is by Genny Morrow. The design is stitched on 18-count Deluxe Mono Canvas from Zweigart, using DMC
and Anchor floss. I started in June 2004, but stopped working on it after a few weeks.
First Progress Picture - Two Days Stitching
At this point I just picked a color I liked (DMC 938) and started stitching squares that used that color.
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Second Progress Picture - January 2005
Here you can see all the progress I made in the year 2004.
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End of January 2005 rotation
You can see the squares I stitched this week by comparing it to the earlier photograph. Total stitched this week were 75 squares. I found that it is a lot faster to work in rows, rather than hopping around. I went ahead and organized my floss at this point. I decided to work backwards, that way I wouldn't be handling the finished squares as much. |
![]() This close up picture gives you an idea of the detailing that goes into each square. March 2005 Rotation Progress
This week I stitched 43 squares. Not very many for a week, but I didn't stitch for some of the days because I was too sore from landscaping. :) April 2005 Rotation Progress
This was actually a two-week rotation, as I took it on a trip to Utah with me. I stitched 96 squares (give or take one; I may have miscounted.)
May 2005 Rotation Progress I finished!
This rotation I stitched 83 squares. I also added my initials and date to one of the lower squares. This design was so fun to stitch! I loved the colors and all the different stitches. I ran out of quite a few colors and needed two skeins - 712, ecru, 3325 are a few that spring to mind. You also need multiple skeins of white.
It looks crooked, but it's really not. Notes about Nova - E-mails I've answered about this project: I'm also not a pink person... but I don’t look at my finished piece and "think pink"... I see a lot of red and blue when I look at it. I would think it would also depend on how you finished it. If you did it as a pillow and used a green or blue cording, or framed it with blue or green matting, then your eye would probably note that color more. I myself used just a knife edge with no cording, because I didn't want to pick out any one color. I chose a dark brown ultrasuede to match my living room paint. :) <snip> how large does it turn out? Put another way, it's designed for 18 ct ... how many blocks are there in each direction, and how many threads does a block cover? <snip> Each square is 12 threads square. You have 18 squares across the top (1-18) for a total of 216 threads horizontal. You have 22 squares down the side (A-V) for a total of 264 threads vertical. On 18 count fabric your design size is 12" x 14.75" I will note that the directions have you mark off your piece before you start stitching. They also want you to write your numbers and letters on the canvas. I did this *inside* the square rather than outside the square as the directions suggest. The reason is that if I were to frame the piece this would have allowed me to have a blank area of canvas showing before it went under the mat, rather than forcing the mat or frame to start at the edge of the finished stitching. It turned out to be a moot point as I decided to do it as a cushion. The only other piece of advice that I consider important is to get a good system of sorting your floss before starting the piece. I used to bobbin floss, but stopped doing so when I realized I could tell a difference in the sheen of the floss that had been bobbined from the floss that hadn't. So, when I started this piece I just bought all the floss and put it in a big bag. Whew! What a pain to try and stitch a square! There was a lot of floss to sort through! I ended up putting it away for a while. I then decided I needed to finish it up, and went through and reorganized the floss putting them in smaller sandwich baggies on a ring - maybe 15 to a bag rather than the whole pile. I did it by number, too, rather than color family. This made it easier to find the floss I needed. I also add that I started stitching multiple squares at a time. I found that the same color may be used in two or three squares in a row, which helped with the color blending. If I were to stitch one square at a time, I found myself going back for the same color over and over, so I alleviated that by looking at the next few squares and just stitching the color in my needle. Then I'd go back to the first square and start the second color. *********************** Hi Mary – I didn’t find it tedious. Mainly because there are so many color changes so you’re constantly ending and starting threads. It was spread out over a long period of time, but that is because of my poor organizational skills. J When I first started the piece I had all the floss just in a big bag – there are a lot of colors. So I worked on it for a while, jumping around on squares. I then put it away for a while, as other things were calling to me more. I then pulled it out again because I knew I needed to finish it, and then it really didn’t take that long. Keep in mind I’m a pretty fast stitcher. I don’t see how the piece could really raise a series of questions… there aren’t that many different stitches and variations. Around ten, maybe? So once you did them all once then it would just go on from there. I could see that the customer may have questions more in the beginning: 1. Kitting up the design – how much floss do I need and what colors can I substitute for the Eva Rosenstrand that’s no longer available. 2. How do I mark the squares? 3. How should I work it? On a frame or in hand? (I started mine on scroll rods but found working on a frame was easier.) 4. How do I do the different stitches? Alicia Lace was rather confusing the first couple of times, I suppose. 5. Maybe when she runs out of floss the first time there could be concern about matching dyelots. 6. How do I block the canvas? 7. How should I finish it. Those would be my question ideas. A big joy to the piece for me was seeing how the colors blended together so well. A square may look particulary “off” in that area but when more squares were worked around it they blended beautifully. Also knowing that she made a quilt first, and then charted the quilt into needlework is rather neat. I will confess and note that towards the end up the piece I started skipping the tie-down stitches. I couldn’t really tell a difference sometimes if they were there so I saved myself the time. J Hope that helps a bit! I enjoyed your books and am looking forward to more. *********************** Marsha, I stitched this piece as well and thoroughly
enjoyed it. I used the substitutions that were listed in the book. She'll also
need at least three skeins of white floss, and I used two of 712, ecru, and
3325. Towards the very, very end I started to run out of other colors but rather
than pulling more floss I just substituted a different color from within the
design (that looked close.) |
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Copyright 2000-2003 Summer Louise Truswell. All Rights Reserved. |
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